Artikel
Exceptional, but not Exceptions : Public Exhibitions and the Rise of the Woman Artist in London and Paris, 1760–1830
Verfasst von:
Spies-Gans, Paris Amanda
info
in:
Eighteenth century studies
Baltimore:
2018
,
393-416 S.
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Weitere Informationen
| Einrichtung: | Ariadne | Wien |
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| Verfasst von: | Spies-Gans, Paris Amanda info |
| In: | Eighteenth century studies |
| Jahr: | 2018 |
| Sprache: | Englisch |
| Beschreibung: | |
| From 1760 to 1830, more than 1,300 women exhibited more than 6,000 works of art in London and Paris’ premier art exhibitions—an unprecedented surge in female artistic activity and its public reception. This article traces that transformation, which strikingly mirrors the progress of the French Revolutionary Wars, and contends that the Revolutionary era opened vital opportunities for female artists on both sides of the Channel despite cultural differences. It thus argues for a recasting of period’s historical narrative to integrate women’s omnipresence in the public, professional art world, and a reevaluation of their hitherto dominant categorization as “amateur” artists. It also challenges the historiographical argument that the Revolutionary era was principally a defeat for women in Britain and France. | |
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