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Mouths of rain : an anthology of Black lesbian thought

Herausgegeben von: Jones, Briona Simone
New York: The New Press , 2021 , 363 S.

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Einrichtung: Frauensolidarität | Wien
Link: Volltext
Herausgegeben von: Jones, Briona Simone
Jahr: 2021
ISBN: 1620975769
Sprache: Englisch
Beschreibung:
African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall’s classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century. Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic. Foreword: We Won't Stop the Rain Mouths of Rain: Be Opened Introduction: No Hand, No Gaze Uses of the Erotic, 1909-2020 Ma Rainey Cheryl Clarke Red Jordan Arobateau Alice Ruth Moore Dunbar-Nelson: You! Inez! Alice Walker: Can It Be? Angelina Weld Grimké: A Mona Lisa Audre Lorde: Love Poem; Woman; Uses of the Erotic: The Erotic as Power Cheryl Clarke: Kittatinny Lucille Bogan: B.D. Woman's Blues Michelle Parkerson: Finer with Time Monica Arac de Nyeko: Jambula Tree Pat Parker: Metamorphosis; My Lover Is a Woman; Sunshine Terri Jewell: Celebrant Interlocking Oppressions and Identity Politics, 1980-2020 Audre Lorde Barbara Smith Anita Cornwell: Three for the Price of One: Notes from a Gay, Black Feminist Ann Allen Shockley: A Meeting of the Sapphic Daughters Dawn Lundy Martin: To be an orphan inside of "blackness" Kai Davis: Ain't I a Woman? Kaila Story: Not Feminine as in Straight, but Femme as in Queer #AF: The Queer&Black Roots of My Femme Expression/Experience Mecca Jamilah Sullivan: Wolfpack Pamela Sneed: We Are Here Coming Out and Stepping Into, 1978-2020 Catherine E. McKinley and L. Joyce Delaney Lisa C. Moore Beverly Smith: The Wedding Dionne Brand: Poem from No Language Is Neutral Akasha Gloria Hull: Angelina Weld Grimke: (1880-1958) JP Howard: Aubade, in pieces, for my ex-lovers Janae Johnson: Black Butch Woman Jewelle Gomez: Curtain 1983 Michelle Cliff: Notes on Speechlessness Moya Bailey: Living Single Pat Parker: Funny The Sacred, 1970-2020 M. Jacqui Alexander Omotara James Alexis De Veaux: Interspecies Alexis Pauline Gumbs: Her relationship to Africa lives in the part of her that is eight years Arisa White: Black Pearl: A poetic drama for four voices Cheryl Boyce-Taylor: How to Make Art Doris diosa davenport: Erzulie-Oshun (Georgia Style) Pauli Murray: Without Name SDiane Bogus: Fighting Racism: An Approach Through Ritual Sangodare Akinwale: Anew Sharon Bridgforth: Excerpt from love conjure/blues Radical Futurities, 1976-2020 Barbara Jordan Demita Frazier Charlene A. Carruthers Alexis Pauline Gumbs: The Shape of My Impact Audre Lorde: I Am Your Sister: Black Women Organizing Across Sexualities Barbara Smith: Toward a Black Feminist Criticism Bettina Love: A Ratchet Lens: Black Queer Youth, Agency, Hip Hop, and the Black Ratchet Imagination Cathy J. Cohen: Deviance as Resistance: A New Research Agenda for the Study of Black Politics Doris diosa davenport: Never Mind the Misery/Where's the Magic? Kate Rushin: At Another Crossroads SDiane Bogus: The Myth and Tradition of the Black Bulldagger Savannah Shange: Play Aunties and Dyke Bitches: Gender, Generation, and the Ethics of Black Queer Kinship Shawn(ta) Smith-Cruz: Archiving Black Lesbians in Practice: The Salsa Soul Sisters Archival Collection Susana Morris: More Than Human: Black Feminism, of the Future in Jewelle Gomez's The Gilda Stories
Anmerkung:
Includes bibliographical references
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